David McGillivray, Radio Times:

Writer and broadcaster Stephen Wyatt has an axe to grind and rightly so. He thinks it is unjust that, as not it’s the composer who gets most of the credit for the success of a musical or opera while the librettist and book writer remains unknown. Wyatt has written librettos himself, yet even he has to research the names of some of his fellow scribes. He makes a compelling case…

David Dibosa, Head of Research and Interpretation, Tate:

Just to send you a huge cheer for your essay, this evening, Stephen. Beautifully written, clear and informative. Your voice is so clear, full of penetrating insights and wonderful turns of phrase. I hope the publishers are queuing…

Rob Orledge, Professor Emeritus of Music, Liverpool University:

We have just enjoyed the first of your libretto talks on I Player. Even though I have read it several times, it still came across as fresh, intriguing, new and brilliant. You have such a lovely, engaging radio voice and it will be a joy to listen to the rest of the series.

Andrew Cartmel, scriptwriter and novelist:

Normally 9:45 on a weeknight on Radio 3 is an occasion for turning the wireless off, because it’s the point where the music stops and the talking starts... Tonight it was an occasion for turning the radio on. Absolutely brilliant. Well done you.

Caspar Henderson Author of A Book of Noises (GRANTA):

I just listened to the first episode in your series, and enjoyed it very much.

Jane Gibson Leading movement director Royal Opera House and elsewhere:

Really loved the radio piece about La Traviata and Cabaret !

Kevin Clarke. Novelist and screenplay writer:

I can genuinely say that I was startled and disappointed when your Ep 1 ended (so neatly, too).

Richard Carrington Audio producer and former Head of National Poetry Library:

Faultless microphone manner. Fascinating talks. More please!

Nigel Hess. Composer:

Just caught up with all 5 and enjoyed them hugely. Many congratulations…